The Great Indian Novel and Rohinton Mistry’sĪ Fine Balance find a common ground in fashioning new forms of collective life while rewriting the story of India as a nation. Writers like Salman Rushdie, Vikram Seth, Amitav Ghosh, Shashi Tharoor, Rohinton Mistry, Arundhati Roy - followed by the younger lot ranging from Upamanyu Chatterjee to Vikram Chandra - have offered what the cultural theorist, Homi Bhabha, called ‘the narratives of the social imaginary’. That does not and need not mean the extinction of any real culture of any group, but it does mean a common national outlook, to which other matters are subordinated.” Indian literary fiction in English of the 1980s and 1990s responded strongly to the authoritarianism of the Emergency rule by reviving the Nehruvian vision of a pluralistic democracy so vividly expressed by Nehru in hisĭiscovery of India : “I am convinced that nationalism can only come out of the ideological fusion of Hindu, Muslim, Sikh and other groups in India. Gandhi’s reign and releasing the foul airs of communal discord, which continue to pollute the political scenario of India today. It threw open the Pandora’s box of Indian politics, unveiling the appalling suppression of Indian democracy during Mrs. Imaginary Homelands, “traditionally produce good books.” One of the most creatively influential “bad’’ periods was undoubtedly the National Emergency (1975-77).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |